Life in the Bubbles and Penning an Underwater World: an interview with Kristi McManus

May 2023

In this month’s newsletter, scroll down to find:

  • Exciting news/nouvelles excitantes
  • Author Spotlight with Kristi McManus
  • Travel Log: A Date with Darcy
  • Upcoming Event: School Journal
  • Review Corner

Exiting news/nouvelles exitantes

I am so excited to announce that Contest of Queens has been signed by Editions Lux & Nox and will be translated into French circa 2024!

Très magnifique!

Author Spotlight: Kristi McManus

Follow Kristi on:
Twitter: @kristimcmanus
Instagram: @kristimcmanus

Our Vengeful Souls

It all started with a curse.

When mermaid Sereia overshadows her brother and the kingdom’s rightful heir, Triton, the position of next ruler of the sea is in question. Determined to keep his throne, Triton banishes Sereia with a warning: if you ever return, you will become a monster.

Left for dead, Sereia washes up on the shores of Atlantis, where she is rescued by a kind merchant with a tragic past. He earns her trust, but Atlanteans fear magic and Sereia must conceal her true identity as her feelings for her savior deepen.

Her skill with a blade finds her a place within the Atlantean army, and Sereia soon wavers between the pull of revenge and the possibility of love on land, but when a friend’s fate is at risk, she must make the hardest decision of all: expose who she truly is and be burned at the stake as a witch, or return to the sea a monster.

Life in the bubbles: penning an underwater world.

I was lucky enough to take a few minutes of Kristi McManus’ time and pick her brain about her recent debut. So pour yourself a cup of tea and read along as we talk about all things under the sea.

Tell me a little about yourself.

I’m a Registered Nurse by day, and enthusiastic book nerd 24/7. I dabbled in writing on and off most of my life, but it wasn’t until my mid thirties that I really started writing with purpose. Now, I can’t imagine not writing. Besides that, I love all forms of creativity, including photography, drawing and crafting. I have an entire room dedicated to all things creative. 

Our Vengeful Souls is not so much as a retelling of the beloved fairy tale, The Little Mermaid, as it is a villain origin story for the sea witch. What was your inspiration for this novel, and what did you hope to capture?

The inspiration was actually a meme I saw online one day. It was of the sea witch and sea king, the Disney versions, insinuating that there was a backstory between them and a fallout. The concept stuck with me for weeks, until finally I decided to write it myself. The main premise, for me, was that even a villain has a story. A series of events that directed them on their path, even if that path ultimately becomes one that most would consider evil. For Sereia, she was not born evil. She didn’t seek to bring others down, but after being wronged over and over again by her brother, her obsession with revenge twisted her into the version we all know in the classic tale. 

What drew you to writing about fairy tales?

I think the idea that every story could have a completely different outcome by changing one small component. When I was a child, we were tasked with rewritting a fairy tale for class. I chose Little Red Riding Hood, and rewrote it with the wolf as the misunderstood victim of mistaken identity by Red and her Grandmother. Since then, I love flipping well known tales on their heads. I’ve rewritten Cinderella as well, with the fairy godmother (and faeries in general) as the villain. 

What is it about the sea witch that captured your imagination?

The idea that she maybe wasn’t always the villain. We all look at the sea witch as evil and hateful, but why? Why is she like that, and why does she want to see the Little Mermaid have her heart broken and fail? I’ve always been a person who considers the ‘why’ of every situation and action, so it felt natural to me to question her past that formed her future. In the original story, there isn’t much information on the sea witch provided. She came as a bit of a blank slate, giving me the freedom to create a more sympathetic character in my version. 

Mermaids feature heavily in this novel, with their underwater cities and flashy fins, there are a lot of creative avenues to explore when building an underwater civilization. What was the most fun aspect of writing about mermaids?

Taking what the general public knows about mermaids, and then building on that. Thinking about where they would live, their societies, and how maybe they wouldn’t be that different from us, minus the whole under water thing. There is always a fascination about paranormal creatures, but also a freedom to create different layers to deepen a readers understanding of them. 

What was the most challenging aspect?

Probably finding a balance between what is socially accepted as ‘mermaid’ versus what I wanted to create in my characters. I always write with a set of ‘rules’, whether it is about the character, the world, the magic systems, and once you set those in place, you can’t break them. While fantasy writing has a sense of freedom about it, since the rules are of your own making, there are still expectations to stay within those parameters and the expectations readers already hold about your subjects, which can be a challenge. 

What scene was your favourite to write and why?

Probably the epilogue. Going through the majority of the story, there isn’t much connection to the classic tale. OVS is about Sereia, not the sea witch as we know her. It isn’t until the epilogue that it really ties together; her motivations, her hesitations, and her desperation to finally have her revenge against her brother. All of it is the catalyst for the Little Mermaid story we know. 

What is your favourite quote or passage from your novel?

I have a few, but possibly ‘as your world crumbles and burns, I will rise like a phoenix from your ashes’. It is the first quote that ties OVS to the classic tale and gives depth to her desire for revenge.

What projects are coming up for you next?

My next novel, How to Get Over Your (Best Friend’s) Ex, is coming Summer 2024 from Camcat! It is a YA romance love triangle in which a shy girl tries to help her queen bee best friend get over her recent breakup, while also trying to get over the love interest herself. I think it is a concept that many people can relate to, of forbidden romance and the struggle of being a side kick character in your own life. 

Travel Log: A Date with Darcy

Short story long,

I have taken a sabbatical from my day job as a Speech Language Pathologist to live in the UK and finish the Frean Chronicles Trilogy!

  1. Contest of Queens: completed!
  2. Queen’s Catacombs: completed!
  3. Mysteriously Titled Finale: Completed manuscript sent to publisher!

If you’re interested in following along on my travel journey, I recommend following me on Instagram: @jordanhbartlett

A Date with Darcy

The most controversial opinion I have in the UK is undoubtedly that I prefer the 2005 movie version of Pride and Prejudice to the BBC version. Colin Firth and his wet shirt is fine, but he is no Matthew MacFayden and his unbuttoned linen shirt and long coat billowing in the mist as he walks across the misty moor. Between that, the rain-soaked (albeit poorly worded) first proposal, and the infamous hand-flex scene, poor Mr. Firth doesn’t stand a chance in the halls of my heart.

Feel free to disagree… but know that I will think you are wrong.

I was lucky enough to visit my Darcy’s Pemberly (a.k.a Chatsworth) with a dear friend of mine, and even saw his statue! I think my favourite part was the little plaque beneath the statue that begged visitors not to kiss it.

The house and grounds of Chatsworth easily filled one of the happier days of my life. While the inside was gorgeous, the grounds were mesmerizing. There was a hedge maze, an elaborate rock garden, a collection of the largest red-woods outside California, greenhouses with lilypads and peaches, and so much more! Such a dream.

Rabbits and Daffodils

Next stop on my brief literary pilgrimage was the Lake District. I honestly have so many photographs from the three days I was there and rather than overload you, I shall pick one photograph per highlight, and restrict myself to three highlights. Oof, what a challenge. Are you ready? Here we go!

  1. Visiting Beatrix Potter’s home: Hill Top House and Farm

Hill Top Farm in the Lake District is where Beatrix Potter lived for many years. She bought the property (rats and all) and had to finagle the system a bit to live their as she was an unmarried woman and at the time it was not the thing to do.

It was such a treasure of a place!

It was such a treasure of a place! And she used so many little locations around her house and grounds as backdrops in her books, you felt like you had jumped right into the pages!

Even if you’re not a fan of Peter Rabbit and his gang, I think you’d have been hard pressed not to smile to see the watering can he hid in, or the garden gate Jemima Puddle Duck walks through.

Oh Nelly, walking in the footsteps of such an incredible and talented woman was indescribable.

2. Getting “lost” in Wordsworth’s backyard

I visited Dove cottage and wandered as he once did – although I was not lonely as a cloud. The beauty of Wordsworth is how, centuries later, like souled people flock to his haunts and share like minds. So I wandered with a kind heart named Jennifer until the winds blew us our separate ways through the bluebell fields and rolling hills.

Rather than take the bus back to the ferry in Ambleside, I walked. It’s wonderful the things you find when you take the long way around. These stepping stones, funnily enough, were part of the pathway back to the main road.

3. The peace that water brings

I can see why people flock to the Lake District. Even with dozens of people milling about, you can’t help but find calm.

Whether it was the sound of the waves lapping against the hull of the boat taking me to Ambleside, or the pitter-patter of rain on the trees (and my head) when I accidently got caught in a downpour, the sight, the sound, the smell of it filled my heart right up.

Upcoming Event: SLJ Day of Dialog

This year I’ve been asked to speak at the SLJ DAY of DIALOG on the Compelling Series in YA panel. I’m so excited to chat all things Frean! It is a free virtual event that you just need to register for, so if you’re interested, click the image above (or here) and register!
10:00 to 10:40 EST
See you there!

Review Corner

Reviews are so helpful in getting word of Contest of Queens and Queen’s Catacombs out there. If you have time, and if you’ve read the book, I would be eternally grateful if you could leave a star rating and/or a written review on Goodreads or Amazon.

Thank you to all the wonderful people who have left a star rating or review! Here are some lovely reviews from this past month:

x live magically

feature image:

On the Belief of Fairies

A lighthearted story to start the year off the right way. This is about one of those moments in history that gives me the giggles every time I think about it, and I just hope I did it enough justice that it gives you the giggles too. So the timeline has been tweaked a little to make the story more condensed, and I took some artistic liberties, but the events are accurate. Two young girls did manage to fool Sir Arthur Conan Doyle, esteemed author of Sherlock Holmes, (as well as many many other people) with photographs of ‘real’ fairies. Like my other stories, this one pairs well with a cup of tea- may I suggest something floral? Chamomile, perhaps?

Cottingley, England. 1920

“The state you’re in!” Elsie’s mother’s voice crashed into the girls as they came into view, making them stop short at the parlor door. She rose from her seat at the window and strode towards them. Her stern posture somewhat ruined by the dimples flickering in her cheeks. 

Frances, Elsie’s younger cousin, looked down guiltily at their bare feet, grass and mud clinging to their soles, and winced at the inches of sopping hem above their ankles. 

“Where have you been? We have a visitor arriving soon.” Elsie’s mother cushioned the word visitor as though it were a precious vase. Elsie clutched her sketchbook tightly and glanced at Frances.

“We were visiting the fairies.” Frances said sweetly, exchanging a knowing look with Elsie and stifling a grin. The dimples in Elsie’s mother’s cheeks deepened and all hints of severity smoothed out with an indulgent smile.

Elsie’s father snapped his newspaper from where he sat on the settee. He did not look up, but Elsie could see the lines deepen on his forehead, and heard a distinctive short, sharp sniff.

“Did you see any today?” Elsie’s mother asked.

“Yeah, loads!” Frances replied, absently scratching one foot with the toes of the other.

Seeing an opportunity, Elsie added, “If father allowed us to use his camera again, we could have taken some more pictures to show you.” She sighed delicately, though loud enough to carry over her father’s paper barricade. He did not respond, but sat now too still for one supposedly reading.

“Never mind that,” her mother said with a wave. “Hurry and change into something dry, and put some shoes on. Elsie, help Frances fix her ribbon will you? And clean up that muck. You look like you’ve been living in the woods.”

Before the girls could obey, a crunching of gravel, the knocking on and creaking of the front door, and the purposeful footfalls of a man with an appointment made them scurry behind Elsie’s mother. There was a murmuring just beyond the parlor entranceway.

A servant appeared and announced, “Ma’am, the theosophist, Mr. Edward Garner is here.”

With a panicked and slightly exasperated look at Elsie, her mother removed a leaf from her daughter’s hair and said, “Send him in.”

The servant bowed, stepped aside, and gestured for their guest to enter.

The shine of his shoes entered first. The man followed. He wore a dark suit, white shirt, and an understated dark tie. His seams had been pressed, and his tailor- most likely- well paid for his diligence. His hair was white, and his salt and pepper goatee was trimmed neatly. He stood in the doorway with the air of a man used to speaking from podiums. Surveying the parlor, he caught sight of the nature-tumbled girls, opened his palms by his sides, and beamed.

“And this must be Miss Elsie and Frances Griffiths,” he said. The girls said nothing, they simply stared.

“The very same,” Elsie’s mother nodded and shot a look at Elsie that compelled her to step forward.

“I’m Elsie, sir, and this is my cousin, Frances.” 

Frances took a half step forward. Mr. Gardner beamed wider still and shook each of their hands in turn. He did not appear to notice their grubby nails and mud smeared palms.

“Marvelous!” he exclaimed. “I’ve been so looking forward to meeting the girls who discovered fairies!” He bounced slightly on the balls of his feet and wrung his hands excitedly.

Frances giggled, “Our fairies?”

“Yes indeed little Miss, you and your cousin have made a breakthrough of religious proportion. To think that you have done what many have tried and failed to do; captured fairies on film! And it’s not just me who wants to see them, I have been sent by my dear friend Sir Arthur Conan Doyle. He entrusted me to determine whether these photographs are to be believed.” He inflated visibly at the mention of his friend and looked around expectantly.

The girls exchanged a glance. Elsie felt her cheeks flush and her stomach flutter. “Sir Arthu… you mean…” she began.

“The great author of Sherlock Holmes, naturally.” Mr. Gardner supplied, standing taller.

“He wants to see our fairies too?” Frances asked incredulously.

“That he does, that he does. He has even sent you each a camera to use as a thank you for documenting these elusive creatures.”

The two girls were speechless. Mr. Gardner appeared to take it as a sign of awe and gratitude. Elsie’s father finally lowered his paper.

“Arthur Wright,” he said to Mr. Gardner by way of introduction. Mr. Gardner shook his offered hand. “How did you hear about the girls’ photographs?” Arthur asked.

“Dear, I told you,” Elsie’s mother hurried to explain, “I shared them at the Theosophical Society’s lecture in Bradford last year. Mr. Gardner saw them and…”

“Became captivated by them!” Mr. Gardner finished merrily. “Now,” he turned to the girls, “if I may, where can I see the fairies?”

Elsie shifted her sketchbook slightly behind her and looked away. Frances scratched her foot again absentmindedly and said, “Well, the thing is, sir, you can’t.” The words were pulled from her slowly by the steady gaze of the eager theosophist. 

Mr. Gardner looked like a balloon that had just met a pin and began to deflate before their eyes. “I ca-” he began.

“Because they don’t show themselves to adults… especially men.” Elsie cut him off, giving Frances’ hand a squeeze.

A silence echoed around them as Mr. Gardner visibly fought with his disappointment. 

“Ah! Of course!” He said finally, re-inflating. “I should have guessed. Much like the myth of the Unicorn. Yes, very similar. I suppose it follows. Quite right. Say no more! That’s what the cameras are for after all. I will… well you two go and find the fairies, and I will…”

“Would you like a cup of tea Mr. Gardner?” Elsie’s mother offered. “And maybe some biscuits while you wait?”

Mr. Gardner beamed. It was settled. The girls were each given a new camera and set off towards the beck, a small stream in the woods at the back of the property. Mr. Gardner remained inside with Mr. and Mrs. Wright as the latter suggested. The former skeptic, Mr. Wright was only too eager to insist that he had believed, like Sir Arthur Conan Doyle, in the photographs from the moment he saw them. 

Elsie and Frances, feet still wet from earlier, carried their cameras and a pouch filled with secrets into the woods. 

“Isn’t it wonderful to have Sherlock Holmes investigate our fairies?” Frances whispered. “What if he finds out they’re fake?”

“What if he doesn’t?” Elsie whispered even quieter, her eyes sparkled.

It had drizzled all morning and tiny pearls of rain glistened from leaves and petals across the garden. As the girls passed through the trees, their pace slowed to one of reverence. Their hands fell to their sides to caress the still-damp leaves in their path. Moss absorbed their footfalls. Their steady breathing mingled and became lost in the breeze flickering through the trees. Sunlight shone in dappled patterns around them, illuminating their eyelashes and dancing through their hair. The beck giggled away to their right, guiding their course.

Theirs was a place of whispers.

Standing stone still, moss creeping up their heels, the girls paused with hands held. The sounds of the woods floated around them. A robin’s song rippled from a nearby branch. It did not take much imagination to believe that this was a realm for fairies.

The girls set to work. Elsie, with an artist’s eye, selected the perfect location. Frances readied one of the cameras and passed Elsie the small pouch. Elsie carefully retrieved a few hatpins and her latest creation: a delicate dancing figure with dragonfly wings, her arms outstretched and toes pointed, carefully cut from paper. Admiring the way the sunlight shimmered through the thin paper, she began positioning the tiny figure among the leaves and secured it with a hatpin. She stood back to regard the effect with her head tilted, readjusted the hatpin, and considered it again. It was a while before she was satisfied.

“Ok, now Frances, you stand there and look as though this fairy is flying towards you… hang on, let me fix your ribbon.”

The shutter clicked and clicked again. The paper coming to life with each picture captured. Finally, as though completing a ritual, the girls took their little paper muses to the beck and watched them float away. One got caught briefly in an eddy and Elsie swore she heard it laughing. 

Once the film had been developed, the girls showed their pictures to Mr. Gardner triumphantly. He was speechless for a time and appeared to be blurred around the edges, such was his excitement. 

“Marvelous!” he exclaimed. “Oh I can just hear my dear friend Sir Arthur Conan Doyle now, I’ll show him the photographs and ask, ‘Is this mere imagination?’ and he will laugh that laugh of his and reply, ‘How often is imagination the mother of truth?’” Mr. Gardner chuckled to himself, then, seeing the blank look on the girls’ faces, added, “Just a little Sherlock Holmes joke for you.”

They smiled weakly.

A few months passed after Mr. Gardner’s visit. Elsie was reading to Frances by the fire. A shriek shattered the tranquil moment and Elsie’s mother ran into the room holding a magazine and a crumpled letter to her breast.

“Girls! My darling girls! It’s your fairies! Sir Arthur- he’s written an article! Sent us a copy. In a magazine! Apparently it has already sold out. They’re having to reprint. Can you believe? You! You two have brought the discovery of fairies to the world!” She paused for breath, face glowing and letter still clutched tightly in her fist. She thrust the magazine at Elsie who accepted it in stunned silence.

“Arthur!” Elsie’s mother shrieked. “Arthur, you must see this!” and she vanished from the room as quickly as she had come.

The two girls looked at each other and Elsie slowly opened the magazine. There were their photographs in the middle of an eight page article boldly titled: The Evidence for Fairies. Their names had been changed, but their faces were very much still clearly in the photographs. 

Elsie quickly scanned the article and read the caption under the picture of Frances and the leaping fairy out loud, “‘The fairy is leaping up from leaves below and hovering for a moment. It had done so three or four times. Rising a little higher than before, Alice’ – that’s you Frances- ‘thought it would touch her face and involuntarily tossed her head back.’ He then says, ‘A girl of fifteen is old enough to be a good witness, and her flight and the clear detail of her memory point to a real experience.’”

She put a hand to her mouth as Frances snatched the magazine from her to read it herself.

“But…” Frances said finally, “he’s a detective!”

“No, he just writes about one.” Elsie said quietly.

“But he should be cleverer because he writes about one.”

“Maybe…” Elsie scanned the article again, her fingers brushing the image of the leaping fairy. “Maybe he just wants to believe they’re real?”

“Oh.” Frances scratched the top of one foot with the other, thinking. “Well… well now we really can’t tell him the truth.” she said.

“No. We’d ruin it.” Elsie agreed.

“So, what now?”

“I guess… the game is afoot. Not a word, Watson!”  

Images taken from Wikipedia:

To read Sir Arthur Conan’s article, The Evidence for Fairies visit:

The Portrait of a Monarch

I have always been somewhat obsessed with King Henry VIII and his wives. It is such a fascinating period in history and it really is amazing how one man’s desire for a male heir changed the course of a country’s history and even their religion. I fell in love with this period in time mostly through Philippa Gregory’s novels and have always thought that Anne of Cleves, though only married to Henry for six months, won (if it can be considered a contest). She doesn’t get much fanfair, and we don’t have nearly as much information about her as we do of say Anne Boleyn, but she ended up outliving Henry and all of his previous and later wives. She lived out her days known as, “The King’s Beloved Sister,” and according to record, never actually had to consummate the marriage. What. A. Queen. So here’s a little story about the beginning of their end.

It is said a portrait is worth a thousand words. A thousand words. Is a thousand words enough to define a person? To capture their true essence and reveal the inner workings of their soul? Is a thousand words enough with which to fall in love? Surely the number should be higher? The portraits required should be numerous? And what a responsibility to hang on the artist. The stress of the job must burn one out before they are halfway to four and twenty. But the King of England was in need of another wife, so Anne’s picture was painted, packed, and shipped to the English Monarch. 

Portraits of both Anne and her sister had been requested, as the King enjoyed options, and a simple alliance of families was all that was needed. Portrait-sitting was a tiresome activity and Anne had enjoyed making faces at her sister behind the artists’ back to pass the time. She had studied her likeness in her reflection and compared it to the finished portrait. Sure, the oil imitation held a shadow of her smile, and hinted at the crinkle around her eyes, but it really only captured a single facet of who she was. Tipping and angling her face in her looking glass, she shifted through a myriad of Annes. Each singular and unique until another expression took its place. She could only hope, as she inspected her oil likeness for signs of variation, that the artist captured the Anne that would be most pleasing to the King. 

When his portrait arrived, she could not help but wonder which versions had been omitted in favor of the captured colossus presented to her household. While her portrait had been sent as a question, his had been sent as a statement. It declared: “Here is your husband.” In preparation, she curtseyed with head bowed under the portrait’s cold eye when she passed it in the hall.

Her portrait was selected, and her sister brushed an expression of excitement on her own features for Anne’s benefit. Just like her painting, she was packed up and shipped to England. Her stomach rolling, breath shallow, and palms clammy, she did what she was bid without complaint. 

Maybe Painted Anne had been just as nervous? After all, she had been locked in the dark and propelled across bumpy roads and a tumultuous sea only to be unwrapped in a foreign land and gawked at by foreign people. Although, Painted Anne’s duty had been simple: accurately represent the real Anne of Cleves. She did not have to worry about pleasing the King, adopting the English customs, or learning to speak their tongue. She did not even have to consider what it meant to be the fourth wife of a King who changed his country’s religion for a divorce. A King who, when that was not enough, relieved his second wife’s neck of the burden of her head. No, Painted Anne could sit quietly and let events fall as they may. Not a single crease to blemish her smooth brow.

Meanwhile, the Real Anne tore through several kerchiefs during her shipment. Twisting and knotting her worries into the embroidered fabric until the stitched monogram warped beyond recognition. She had no way to prepare for what was expected of her, and no frame of reference to guide her. Her first betrothal had never amounted to anything more than a few sweet verses of proclaimed love she still kept within the pages of her bible. But, when given the choice between herself and her sister, the King had chosen her. Surely that was promising? Was it possible to love someone from their portrait?

She was unpacked in an English tower. Her things put in their proper place while she floated about, unsure where to land. The English spoke quickly and took her silence for agreement– or at least for a lack of protest.

Finally, they seated her in a chair by the window. The courtyard below was a flurry of activity as a number of small dogs took it in turns to attack a tethered bull. The men and women around her cheered and clapped as the little dog darted at the poor beast. Coin changed hands, goblets were refilled, and a new dog was introduced to the fray. Anne mirrored the reactions of those around her. She fell into their rhythm and made sure to smile at those who made eye contact with her.

A knock at the door interrupted the spectacle. Her companions exchanged knowing looks and eyed her with excitement. She rose. The door opened. A drunk in a thread-bare cloak stumbled in.

“Happy New Year,” he slurred in broken German; the first words she had understood all afternoon.

“A gift from the King of England,” he said, a roguish glint in his eye. She stood very still and he lunged at her. Clasping her tightly and smothering her mouth with his, he forced a small token into her fist as he drew back. His eyes were hungry and he looked at her expectantly.

She tasted the remnants of stale ale and onions on her lips, felt the blood rush to her cheeks, and heard a ringing in her ears. The room turned to look at her. Dozens of eyes alive with Schadenfreude fixed upon her flushed face and wet lips. The bull bellowed in the courtyard below. Still the drunk waited. She squeezed the token in her hand as though to reduce it to dust. Breathing sharply through her nose, she felt a smile lift the corners of her eggshell mouth.

“My thanks to his majesty,” she responded in barely a whisper. As though moving through mud, she lowered herself in a curtsey, then sank into her seat. She forced her gaze to return to the bull baiting below.

His next attempts at conversation were lost to her ears. The drunk’s blundered German, rather than setting her at ease, opened an ache for home within her heart so profound it was all she could do to remain upright, eyes fixed on the bull. The little dogs nipped and yipped at the stoic creature far below. It snorted and lowered its deadly horns in a challenge.

After a time, the drunk retreated. The door clicked shut and the room was silent but for the sounds from the courtyard below. No one approached the painted figure in the window.

A knock came again. She turned, dreading a similar visitor. The door opened and the drunk reappeared, transformed. As if by magic, he now was adorned with jewels and wore a coat of deep purple velvet. A man heralded his entrance and Anne picked out the words, “His Majesty, the King of England, King Henry the Eighth.”

The room erupted in applause, and the King beamed with arms outstretched. Anne hurried to clap with the others, all the while feeling a pit form in her stomach. From far below, the bull bellowed again. It strained against its rope as the dogs circled closer, teeth bared. The crowd jeered.

She caught the King’s eye and noticed a deep crease upon his royal brow as he regarded her. Piecing her smile back together, she received her fiancé warmly. This time, determined to show that his presence thrilled rather than offended. That his breath was sweet, his German fluent, and his touch welcome. He explained the rules of bull-baiting to her as though to a child, and he ensured she was presented with a fine selection of sweetmeats. All the while, the same thought ran through her mind: The royal painter is a liar.

A selection of the many portraits made of King Henry VIII across his reign. Main source:

Source for Bull-Baiting image:

Source for Anne of Cleves image: